Vue Fluviale gold frame complements the color scheme of

complements the color scheme of the landscape

the main ones are located in the low angle must

signed Aline Le Mouton 1892-1971) in the lower left

The palette is vibrant despite the dominance of dark colors

Date: Early-Mid 20th century

Vue Fluviale gold frame complements the color scheme ofThis 19th century French School oil painting on carton board is attributed to Charles Berges (1851 1941). It is not part of the Tremblay workshop collection. This piece exemplifies the "en plein air" or open air tradition of the late 1800s and early 1900s. The painter worked outdoors to capture the movement, color, and atmosphere of the environment. This soft landscape reveals a skilled approach to depicting the colors and movement of the trees, the