Passports 2012–2025 bunnies “I learned how not to

“I learned how not to see in my mother’s house

and houses so covered in string lights as to demand nothing short of a miracle from the local power grid

Each work is based on cut paper collage and paint

We ruined everything

The inside is coated in food safe clear glaze

Passports 2012–2025 bunnies “I learned how not toPassports 20122025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centred around her fathers earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery paints, beads, photograph fragments of Black bodies, gold leaf, glitter to form a deeply textured act of photomontage. Interwoven with the