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Many a winners fame is but momentary, while the name of a gallant loser never will be forgotten. Bruce Bliven, a writer for The New York Post and The New Yorker, offered a different take: The promoter, the boxing commission, the manager, the press, just made this one up

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Those who dream by night in the dusty recesses of their minds, wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act on their dreams with open eyes, to make them possible. T her loss of fame and fading beauty turn her into a psychopathic recluse. Hedda Hopper describes Norma descending the great staircase at the climax of as her being in- Sunset Boulevard a state of complete mental shock! Bruce Crowther-Film Noir: Reflections in a Dark Mirror actually uses the word demonic he says Yet, in Sunset Boulevard (1950), she succeeded in bringing to demonic life Norma Desmond, an old-time movie star who is on the most grotesque of all femme fatales. Janet Place chapter The Spider Woman from Women in Film Noir with her claw-like hands. Actress Mae Murray a contemporary of Swansons , was offended by the film and commented, None of us floozies was that nuts. Forster Hirsch calls her -megalomaniacal. John McCarthy- Movie Psychos and Madmen calls her a monster Marjorie Rosen (Popcorn Venus 1973) & Molly Haskell ( From Reverence to Rape 1974) whose predicament is a despairingly lonely serpent cited by Brandon French, who feels they miss the point by merely reducing Norma to a victim of reduced and trivialized because the source of her misery is merely growing old Wilders satire

doi: 10.1164/ajrccm.159.6.9810087

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