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A dissertation by Sadia Shirazi, an art historian who is completing a dissertation at Cornell, shows that women artists in the postcolonial South Asian diaspora relied on abstract forms to represent touch and texture, distinguishing their work in predominantly patriarchal nationalist spaces.2 Through the artistic work of Nasreen Mohammedi, Zarina, and Lala Rukh, Shirazi shows that the events of 1947partition and the displacement of populationsproduced feminist subjectivities that were shaped by exile, mobility, and diasporic imaginaries that destabilized national and territorial attachments

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These lesions are non-painful and the family indicates that she developed them while being treated for an illness as an infant

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