An Attractive Aesthetic Movement Ebonised Armchair in the Manner of E.W.Godwin c.1900 sub-Curios Effortlessly handsome

Effortlessly handsome

The attribution to Nicolas Poussin (1594 – 1665) to the reverse is out of the question and there seems to be no plausible reason for this

the arch having applied carved decoration

His designs were printed originally from woodblocks alone but from 1770 from copperplates as well

The tears to the larger chair are to the rears of the arms and to the reverse whilst on the slightly earlier chair the tears occur towards the lower front just above the oak rail

An Attractive Aesthetic Movement Ebonised Armchair in the Manner of E.W.Godwin c.1900 sub-Curios Effortlessly handsomeOrigin: English Period: Aesthetic Movement Provenance: Unknown Date: c. 1900 Height: 34. 5 Width: 21. 5 Depth: 23 (all at extremities) The ebonised reeded frame with a pierced geometric panel back, on four ring turned legs, the seat upholstered in red and white waffle fabric, survives from early twentieth century England and inspired by the designs of E. W. Godwin. The chair has signs of wear to the ebonised finish as you would expect to the